Ένα εικονογραφικό άπαξ στην αψίδα του Ιερού Βήματος των Αγίων Τεσσαράκοντα στα Χρύσαφα Λακωνίας (1620)
Part of : Δελτίον της Χριστιανικής Αρχαιολογικής Εταιρείας ; Vol.52, 2013, pages 215-226
Issue:
Pages:
215-226
Parallel Title:
An Iconographic Unicum in the Apse of the Sanctuary of the Holy Forty Martyrs in Chrysafa, Lakonia (1620)
Section Title:
Articles
Abstract:
In the apse of the Holy Forty Martyrs at Chrysafa, Georgios Moschos’ depiction of the celebration of the Heavenly Liturgy in front of a painted altar-screen is an iconographic innovation in post-Byzantine wall painting. On the one hand, it indicates that Moschos was influenced by the manuscripts and icons with analogous themes created by the exceptional artist Georgios Klontzas. On the other hand, it is evident that Moschos’ intention was to renew the formulation of Orthodox dogmas within the context of the contemporary religious rivalry between East and West.
Subject:
Subject (LC):
Keywords:
Post Byzantine period, AD 1620, Chrysafa, Lakonia, representation of the Angelic Liturgy, painted altar screen, Μεταβυζαντινή περίοδος, 1620 μ.Χ., Χρύσαφα Λακωνίας, παράσταση Αγγελικής Λειτουργίας, ζωγραφισμένο τέμπλο
